Monthly Archives: February 2011

Me.Friends- -;

I lost one of my dearest friends.

My first true peer as a programmer, who shared my surprise in 1999 when we learned that pair programming and refactoring were unconventional to other people.

A true Linchpin who always valued making a difference over being nice.

He continually coached me on developments in my work and private life, being my mirror, offering relentless feedback.

A true pragmatist if ever there was one.

With a hide like a bear and a heart like a mountain, cynical, gruff, yet witty, and honest.

Programming was his true passion. He passed away in front of his computer, code on the screen, while he did what he loved most.

He’ll continue doing it, having angels as customers.

My heart goes out to his spouse and his daughters, who found him yesterday morning, looking fast asleep.

Program in peace, my friend. You met the one, true Change Agent. He’ll have greeted you the pragmatic, the Discworld way:
“THERE’S NO JUSTICE. THERE’S JUST ME.”

No number of Whys will yield an answer.

And now that it’s written down, the realisation sets in, and finally, I can begin to cry.

Du bist ein Genie

Dies ist die Einleitung des Buches „Linchpin” von Seth Godin, welches ich gerade lese. Leider ist es noch nicht in deutscher Übersetzung erhältlich. Wer sich also einen Eindruck auf Deutsch machen möchte, hier meine Übersetzung der ersten drei Abschnitte:

Du bist ein Genie

Wenn ein Genie jemand mit außergewöhnlichen Fähigkeiten ist und so einsichtig, dass er eine nicht so offensichtliche Lösung zu einem Problem findet, musst du keinen Nobelpreis gewinnen, um eines zu sein. Ein Genie betrachtet etwas, an dem andere steckenbleiben, und löst es.

Die Frage lautet also: Hast du das schon einmal getan?

Hast du jemals eine Abkürzung gefunden, die andere nicht finden konnten?

Ein Problem gelöst, das deine Famile verblüfft hat?

Einen Weg entdeckt, etwas zum Laufen zu bringen, das vorher nicht funktioniert hat?

Eine persönliche Verbindung zu jemandem aufgebaut, der für jeden anderen außer Reichweite war?

Zumindest einmal?

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Berlinale Generation: Une Vie de Chat

“Remember the serial jewellery burglaries? I just got the lab reports back… cat paw prints were found everey time.” “Cat paws?” “It’s your case, okay?” “Am I supposed to arrest a cat?”

This movie is about a cat—not that much of a surprise considering the title “A Cat’s life” (again, title translations are funny here: the German reads “Die Katze von Paris”, “The Cat from Paris”). That cat leads a double life: by day it lives with a little girl; at night it joins a burglar when he’s on the prowl…

Today, as my second film of this year’s Berlinale Generation, I watched “Une Vie de Chat”, a European (F-B-NL-CH) production by Alain Gagnol and Jean-Loup Felicioli.

La Vie de Chat - movie poster

La Vie de Chat - movie poster

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Berlinale opened: Jørgen + Anne = sant

“Hi, my name is Ane. I’m 9½ years old, 145 centimeters tall, and I weigh 32 kilos. I love fish fingers and climbing trees. I basically like a lot of things. It’s pretty easy to be me!”

Yesterday, the 34th Generation (children’s section) of the 61st Berlinale (the annual Berlin International Film Festival)  was opened with the brand-new Norwegian film “Jørgen + anne = sant”. I love this festival and attend as many film premieres as possible every year—where and when else do you get the chance to witness the premiere of a movie, usually with director and actors present for questions and applause, for just 2€ a ticket? The “big festival”—the Competition you mostly hear about in the press—is quite hard to get in: you need to queue for tickets (which are more expensive), can only by 2 max at a time… And there’s all this “star” and “fan” business with celebrities I’m not exactly excited about. But to applause two ~10 year old Norwegian kids, who stand before an excited audience of a thousand kids who’ve just seen a romatic movie… That’s more to my liking.

So we saw this lovely girl:

Official movie poster

The official movie poster, available on Facebook © ?

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2011 is the Year of the Linchpin

This is not a book review. This is a statement. A confession. A call-to-arms.

I am a Linchpin. It took years to become one, but only minutes to learn what we’re called. My friend Mike Sutton told me last summer I should read the book, but some things need their right moment in time…

I started listening to Seth Godin‘s book “Linchpin—Are you indispensable?” two weeks ago. I basically started my year with it. And I can not remember any non-fiction book resonating as strongly with me. I’ve given away three copies of it to friends and recommended it to numerous others since. And I have not even finished it. That’s why I decided that this year, 2011, my year, is going to be the year of the Linchpin.

Last week, I started to look for Linchpin references on the web—among other reasons to look for a German translation of the term. I stumbled upon the following text, here, written by Seth “for posting, sharing, emailing or instigating”:

The Linchpin Manifesto

Yes. Now. I am an artist. • I take initiative. • I do the work, not the job. • Without critics, there is no art. • I am a Linchpin. I am not easily replaced. • If it’s never been done before, even better. • The work is personal, too important to phone in. • The lizard brain is powerless in the face of art. I make it happen. Every day. • Every interaction is an opportunity to make a connection. • The past is gone. It has no power. The future depends on choices I make now. • I own the means of production—the system isn’t as important as my contribution to it. • I see the essential truth unclouded by worldview, and that truth drives my decisions. • I lean into the work, not away from it. Trivial work doesn’t require leaning. • Busywork is too easy. Rule-breaking works better and is worth the effort. • Energy is contagious. The more I put in, the more the world gives back. It doesn’t matter if I’m always right. It matters that I’m always moving. • I raise the bar. I know yesterday’s innovation is today’s standard. • I will not be brainwashed into believing in the status quo. • Artists don’t care about credit. We care about change. • There is no resistance if I don’t allow it to defeat me. • I embrace a lack of structure to find a new path. • I am surprising. (And often surprised). • I donate energy and risk to the cause. • I turn charisma into leadership. The work matters. • Go. Make something happen.

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